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The Blues Project - Projections Musikalbum

Darsteller: The Blues Project
Genre: Jazz / Soul-Musik / Blues-Musik
Titel: Projections
Land: US
Freigegeben: 2009
Etikett: Sundazed Music, Universal Music Special Markets
Katalognummer: LP 5317, B0013165-01
FLAC-Version ZIP-Größe: 2072 mb
MP3-Version ZIP-Größe: 2912 mb
WMA-Version ZIP-Größe: 1618 mb
Bewertung: 4.4
Abstimmungen: 400


1Two Trains Running
Written-By – Morganfield
2You Can't Catch Me
Written-By – Berry
3Flute Thing
Written-By – Kooper
4I Can't Keep From Crying
Arranged By – Al Kooper
5Steve's Song
Written-By – Katz
6Fly Away
Written-By – Kooper
7Cheryl's Going Home
Written-By – Lind
8Wake Me, Shake Me
Arranged By – Al Kooper
9Caress Me Baby
Written-By – Reed


CategoryArtistTitle (Format)LabelCategoryCountryYear
FT-3008The Blues Project Projections ‎(LP, Album, Mono, MGM)Verve FolkwaysFT-3008US1966
FT-3008The Blues Project Projections ‎(LP, Album, Mono, Promo)Verve FolkwaysFT-3008US1966
FVS-9505The Blues Project Projections ‎(LP, Album)Verve FolkwaysFVS-9505Germany1966
P25P 25093The Blues Project Projections ‎(CD, Album, RE)Verve Records, Verve ForecastP25P 25093Japan1989
827 918-1The Blues Project Projections ‎(LP, Album, RE)Verve Forecast827 918-1Greece1986


  • Design [Cover Design]Ken Kendall
  • Engineer [Director]Val Valentin
  • Liner NotesSid Bernstein
  • Photography By [Cover Photo]Jim Marshall
  • ProducerMarcus James (tracks: B3, B5), Tom Wilson
  • Supervised By [Production Supervisor]Jerry Schoenbaum


180 gram vinyl.

℗ 2009. Manufactured by Universal Music Enterprises.



Projections is the second album by American blues rock band The Blues Project. Produced by Tom Wilson and released by VerveFolkways in November 1966, the album was their first studio release and examined a more rock-based sound. Soon after the release of this album, Al Kooper left the band in the spring of 1967 to form Blood, Sweat & Tears. The Blues Project - Projections 1966. To favorites 7 Download album. Listen album. The Blues Project. Songs in album The Blues Project - Projections 1966. The Blues Project - I Can't Keep From Crying. The Blues Project - Steve's Song. The Blues Project - You Can't Catch Me. The Blues Project - Two Trains Running. The Blues Project - Wake Me, Shake Me. The Blues Project - Cheryl's Going Home. The Blues Project - Flute Thing. The Blues Projec. Listen free to The Blues Project Projections I can't keep from crying, Steve's Song and more. 9 tracks 49:24. The Blues Project was a short-lived band from the Greenwich Village neighborhood of New York City that was formed in 1965 and split up in 1967. While their songs drew from a wide array of m read more. While their songs drew from a wide array of musical styles, they are most remembered as one read more. Album 1966 9 Songs. More By The Blues Project. Live At the Matrix September 1966 Remastered. Live at the Cafe Au Go Go. Planned Obsolescence. The Blues Project released 'Projections' in November 1966. From what I remember, the process was, do we have enough songs says Katz. I think we just had enough to do the album. I Can't Keep From Crying Al KOOPER: I didn't mind I Can't Keep From Crying. I didn't mind that version. Projections is an album by American blues rock band The Blues Project. 1 Track listing. Projections, 2010. I Can't Keep from Crying Sometimes, 04:27. You Can't Catch Me, 04:17. Wake Me Shake Me, 05:20. Cheryl's Going Home, 02:38. Flute Thing, 06:03. Caress Me Baby, 07:18. All formats Album CD CD Album CD Single CD Maxi Vinyl records LP 7 inchs 7 inchs SP 7 inchs EP 12 inchs 78 rpm 10 inchs DVD VHS Cassette Clothing T-Shirt Others. Featured items. Blues project projections. 31 results found. Filters : Items on sale Mint Sellers Professional sellers Private sellers. The Blues Project- Projections album 1966 issued on PolyGram, Verve label 1989. Very hard to find these issues in very good condition on CD now a day's so thank you this now goes with my Issue of Cafe Au Go Go on the same label and 1989 issue. Read more. The Blues Project waren mit den Mothers und mit den Velvets auch nicht direkt zu vergleichen - fast spießbürgerlich wirkten sie im Vergleich zu diesen beiden Wahnsinnspartien, nicht nur von der Optik her, die fünf liebenswürdigen New Yorker jüdischer Herkunft, die im Gegensatz zu den Velvets ihre Instrumente ordentlich spielten