» » Masters At Work - Sessions 5

Masters At Work - Sessions 5 Musikalbum

Darsteller: Masters At Work
Genre: Elektronische Musik
Titel: Sessions 5
Land: UK
Freigegeben: 18 Sep 1995
Stil: House, Garage House
Etikett: Ministry Of Sound
Katalognummer: mincd5
FLAC-Version ZIP-Größe: 1624 mb
MP3-Version ZIP-Größe: 1318 mb
WMA-Version ZIP-Größe: 2251 mb
Bewertung: 4.7
Abstimmungen: 235


1Barbara TuckerStay Together7:35
27th MovementOdyssey6:24
3Urban Blues Project Feat. Michael ProcterDeliver Me (Vocal Mix)11:05
4Masters At Work Feat. IndiaCan't Get No Sleep '95 (Indy's Tribin' Mix)6:41
5David MoralesPhiladelphia5:40
6Donna BlakelyGotta New Love (Ralphi's Extended Mix)
Remix – Ralphi Rosario
7MonéWe Can Make It (Jazz 'n' Groove Mix)
Remix – Jazz 'n' Groove
8The BucketheadsCome And Be Gone3:52
9Michael WatfordLove Changeover (Fire Island Vocal Mix)
Remix – Fire Island
10HardriveDeep Inside (Masters At Work Mix)
Remix – Masters At Work
11Shinehouse Feat. Tony RansomHeaven7:49
12Tito Puente Jr & The Latin Rhythm Feat. Tito Puente, India & Cali AlemanOye Como Va (JM Hard Dub Mix)
Remix – JM
13Federal HillI've Got Something For You (T.M.V.S. Vocal Mix)
Remix – T.M.V.S.
14Todd Terry Feat. Tonya WynneJust Make That Move5:05
16JodeciFreek 'n' You (MK Dub)
Remix – MK
17Lou 2Freaky3:57
18The Absolute US Feat. Suzanne PalmerThere Will Come A Day (Black Lozenge Mix)3:03
19Kim EnglishI Know A Place (E-Smooth Mix)
Remix – E-Smooth
20The Jasper Street CompanyA Feeling9:16
21DajaeGet Up Off Me6:32
22Rochelle FlemingSuffer (The Consequences)6:54
23CrimeRhythm Grafitti (Extended Re-Edit)
Edited By [Disco Adjustments & Re-edit, Uncredited] – DJ Harvey
24M&S Feat. Jaye Ella RuthKeep On5:20


CategoryArtistTitle (Format)LabelCategoryCountryYear
MINLP5Masters At Work Sessions 5 ‎(4x12", Comp, Ltd)Ministry Of SoundMINLP5UK1995
minmc5Masters At Work Sessions 5 ‎(2xCass, Mixed)Ministry Of Soundminmc5UK1995
mincd5Masters At Work Sessions 5 ‎(2xCD, Mixed)Ministry Of Soundmincd5UK1995


  • DesignRoot
  • DJ MixMasters At Work


Packaged in double-CD jewel case.

This compilation ℗ 1995 the copyright in this sound recording is owned by M.O.S. Recordings Ltd. © 1995 M.O.S. Recordings Ltd.
Made in England.


  • Barcode (Text): 5 026535 000525
  • Barcode (String): 5026535000525
  • Matrix / Runout (CD1): MIN 5CD/1 ODC UK
  • Matrix / Runout (CD2): MIN 5CD/2 ODC UK
  • Mastering SID Code (CD1): IFPI L041
  • Mould SID Code (CD1 & 2): ifpi 6901


  • Phonographic Copyright (p) – Ministry Of Sound Recordings Ltd.
  • Copyright (c) – Ministry Of Sound Recordings Ltd.
  • Distributed By – 3MV
  • Distributed By – Sony
  • Manufactured By – ODC UK



House Masters At Work, Vol. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Исполнитель: Various artists. 2012 dance. Listen free to Masters at Work Sessions 5 Deep Inside Masters at Work Mix, keep on and more. 23 tracks 133:37. Soon others were seeking the MAW sound, and Vega and Gonzalez began remixing artists ranging from Debbie Gibson to Saint Etienne. They also began making their own original tracks, like Blood Vibes, a hip-hopreggae blend that marked their first original production, and Our Mute Horn, a Miles Davis tribute track that gave a nod to. Sessions is a series of DJ mix albums, each album normally by a different DJ who also compiles the tracks, released by the London-based electronic dance music label Ministry of Sound. Alongside The Annual it is one of Ministry of Sound's better-known compilation album series. Not the first ever DJ mix album released, or at least first to chart in the UK. The Ministry of Sound record label began in 1993, and the first release on it was The Sessions Volume One, a 12-track mix compiled and mixed by Tony. On their first album, unassumingly titled The Album, Masters at Work show both their influences and their innovation. On the first half of the album, Kenny Dope Gonzalez comes to the forefront with his more hip-hop oriented beats then, on the second half, Little Louie Vega gives us the house stylings with which the Masters at Work name has come to be associated. Kenny Dope lays down the beats like no one else - listen to how thick and juicy they are on Blood Vibes - but their house numbers are the memorable ones here. Masters at Work is the housegarage production and remix team of Little Louie Vega and Kenny Dope Gonzalez. The self-titled album released under the name Nuyorican Soul in 1996 included original tracks as well as cover versions of songs by the performers with which the duo was working, such as Sweet Tears Roy Ayers, and Runaway, originally sung by Loleatta Holloway with the Salsoul Orchestra, here sung by India and featuring musicians from the original recording of 1977. Mixed compilations 1995 Ministry of Sound Sessions 5 2001 West End. Listen album. Masters At Work. Songs in album Masters At Work - The Album 1993. Masters At Work - Give It To Me. Masters At Work - Donde Lo Consequeste. Masters At Work - The Buddah-Chant. Masters At Work - Too Smooth. Masters At Work - Get Up. Masters At Work - Bloodvibes. Masters At Work - Justa Ll Dope. Masters At Work - Can't Stop Rythm. Masters At Work - When You Touch Me. Masters At Work - All That. Слушать бесплатно и скачать Masters at Work - Backfired Album Version в форматах mp3 320, WAV, FLAC
If you like this comp then also check out this Farley & Heller comp from 96 : https://www.discogs.com/Terry-Farley-Pete-Heller-Journeys-By-DJ-Presents-Musicmorphosis/master/644923

This mix (on the CD and tape releases) actually includes more tracks than those listed, probably to save money when licensing the tracks. Extra tracks you can defo hear in the mix are:
* DJ Sneak / Show me the Way
* The Bucketheads / The Bomb! Beats
* Kenlou III / Sensational Beats
* Basic Channel / Phylyps trak II/II
Can you notice anymore?

Shame these tracks weren't used more as I feel they are more powerful than most of the main songs/tracks that were used. This mix was very well put together but there are far too many diva-ish/tiresome vocals for me. MAW to me have always been far more garage house orientated than House. Not a criticism, just an observation.
I saw MAW at The Arena in Middlesbrough in 96/97 and for me they were just far to garagey and the constant barrage of vocals became overwhelming, predictable and boring. I'm not a stick in the mud, I love songs and a good sing-a-long but for me and my friends who all agreed. The power of each song was lost in the endless sea of them.

I noticed the Suffer (The Consequences) track by Rochelle Fleming has no remix credit. It was the Loveland mix the MAW duo played.

Fancy that? It was pretty good though, imo.

Billy Granson
Hadn´t listened to this for a long long time when i decided to pop it on my player today.
Massive mix indeed. Probably can we call it a suberb pillar of the finest selection of garage house back when it was on top. And it´s unbelievable how much house has changed since then. Today vocals are pretty left behind, i mean, it´s around but i don´t feel it serves as a backbone of house tracks today. Remembering around millennium time things started to decline.
Anyways, The first CD is very much about the vocals indeed. MAW serving up vocal classics after classics. Biggest one maybe "Deliver Me" which was also played to death back here home.
Pop in CD 2 and you get lot´s of dubs brought on. Dub´s is pretty much a dead breed in house that kind of vanished when vocal tracks became a thing of the past. Back then, dubs played a huge pivotal role on the scene and was a surefire out of traditional sets to bring a deeper groove to the floor. MAW was one of the pioneers of the dubs, releasing many of the kind on the B-sides of many known and less known tracks in the early days of their career when they started collaborating together.
We have this Jersey House revival thing going on. Just wondering if they notch it up and decides to dust of classic vocalists from the golden past.
However, there is no reason to skip on this even today. Sounds fresh still, has an delighted party vibe all round and is just a fantastic compilation to put on if you you want to reminisce of the glory hay days of garage house. MAW was the masters back then. You just gotta´believe..

This soars to another plain. Travelling without moving grooving along effortlessly into the night.
Simple effective well constructed tunes, and mixed too boot with great talent and skill.
The blissfull free spirited tune that is Keep On, takes you gleefully into house music heaven, while maintaining a groove and riff that cements your body to the dancefloor.
Soulfull, jazzy house, gospel inspired vocals, deep momments transending rhythms, eb and flow of ever so subtle basslines, the charasmatic keyboard riffs.
Its heaven sent.

This is in my opinion the best Garage/House mix released by Ministry of Sound. Some fantastic songs on both cds (Michael Watford, Michael Proctor, Tony Ransom, Barbara Tucker, Todd Terry etc).

Despite the fact that this cd is 12 years old, it has stood the test of time really well.

As you would expect, it's very well mixed and flows excellently. Nevertheless, I could do without the incessant Masters at Work voiceover on occasions but it's not too annoying.

This cd is soulful/deep/jazzy and I would recommend it. Most of the other sessions I could take or leave but not this.