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Jimmy Velvet - Woman In Bloom Musikalbum

Darsteller: Jimmy Velvet
Genre: Rock-Musik
Titel: Woman In Bloom
Land: US
Freigegeben: 1967
Stil: Soft Rock
Etikett: Bell Records
Katalognummer: BELL692
FLAC-Version ZIP-Größe: 1453 mb
MP3-Version ZIP-Größe: 1890 mb
WMA-Version ZIP-Größe: 1670 mb
Bewertung: 4.2
Abstimmungen: 998


1Woman In Bloom2:06
2Let Me Keep Your Love2:15


CategoryArtistTitle (Format)LabelCategoryCountryYear
BELL692Jimmy Velvet Woman In Bloom ‎(7")Bell RecordsBELL692US1967


Jimmy Velvet. Sleeve Grading: Not Graded. Title: Woman In Bloom. CountryRegion of Tennant, better known as Jimmy Velvet, was an early American soft rock and roll vocalist, during the 1960s. His most popular singles were We Belong Together and It's Almost Tomorrow. Tennant was born in Jacksonville, Florida, where he became involved in music entertainment. It was there he met Elvis Presley and they became lifelong close friends. After Elvis' death, Tennant operated an Elvis memorabilia museum in Memphis for about twenty years. The Shelter of Your Arms - Sammy Davis, Jr. In Dreams Of Blue Velvet - Продолжительность: 2:56 Laurence James Recommended for you. The Cookies Girls Grow Up Faster Than Boys - Продолжительность: 2:47 Jessica Co Recommended for you. Tennant became legally known as Jimmy Velvet in 1965, though he began using the name professionally as late as early 1963. He had earlier recorded under his real name, though there is one record from 1959 on the AMP label that is a different Jimmie Tennant. Velvet would sometimes be confused with an artist with a similar name from Texas whom he used to promote, Jimmy Velvit, who's real name is Jimmy Mullins. The confusion became critical when Tennant made his first recordings that were to use Jimmy Velvet in April, 1963. Velvet Bloom: Take It In, Teach Ya, Cadence и другие песни. Jimmy Harwood, Max Glyde, Velvet Bloom. Чтобы добавлять треки в плейлисты, нужно авторизоваться. Создать плейлист. Скопировать ссылку. Woman in BloomLet Me Keep Your Love Bell Records 692 recorded as Jimmy Velvet 1967. He Ain't CountryA Friendly Place To Cry Bell Records 710 recorded as James Bell 1968. The Pretty BoyPoor Old Me Bell Records 45,003 recorded as James Bell 1968. California Good TimesJack Frost Loving Co. Blue Records PJ-651 recorded as Jimmy Velvet. 180 Me Let Me Keep Your Love - Bollman International Records 5004 recorded as Jimmy Velvet - 1975. Lonely Is Another Word For Me Undune, The Arab - Bollman International Records 5014 recorded as Jimmy Velvet - 1975. Play album. Reflections Of Jimmy Velvet's Greatest Hits And More. 56 listeners. Do you know the lyrics for this track Add lyrics on Musixmatch. From The Album. Don't want to see ads. 140 listeners. FRAME - Classic Cotton-blend Velvet Blazer - Orange, ad. Tory Burch, Fashion Moda, Mode Inspiration, Her Style, Pretty Outfits, Everyday Fashion, Casual Chic, Dress To Impress, Personal Style. Aldo Ballet Flats Fashion Shoes Autumn Fashion Maternity My Style Casual Leather Ballerinas. Jimmy Velvit. Just better. Jimmy Velvit is an American rock and roll singer, who began his career in the 1960s. His real name is James Mullins, originally from Coalgate, Oklahoma, later from Dallas, Texas. He is best known for recording a white rhythm and blues version, in 1962, of Robert & Johnny's 1958 hit We Belong Together. Velvit's first release was Sometimes at Night on Division Records in 1961, afterwards released on Cub Records a division of M-G-M. In 2001, his album Sun Sea and Sand Seduction SCD-103 was nominated for a Grammy Award. Velvit was still recording and performing as of 2014. Through much of Velvet, his fourth solo album, however, Lambert doesnt seem satisfied to play nice, anymore. Perhaps tired of being Queens plus one, or smoothing over his rougher vocal edges, the 38-year-old out singer goes for something less glamorously amorously entertaining and more grimily soulful and sleekly funky than were used to hearing from him. Sorry to have to paraphrase a Queen song here, but Lambert wants to break free. You try to put me in a box, make me something Im not, he coos in a slippery falsetto on the sumptuous R&B-inspired Superpower, while riding a thumbed bass line like a surfer crashing a wave