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Gordon Lightfoot - Did She Mention My Name Musikalbum

Darsteller: Gordon Lightfoot
Genre: Rock-Musik
Titel: Did She Mention My Name
Land: US
Freigegeben: 1968
Stil: Folk Rock, Acoustic
Etikett: United Artists Records
Katalognummer: UAS 6649
FLAC-Version ZIP-Größe: 2252 mb
MP3-Version ZIP-Größe: 2706 mb
WMA-Version ZIP-Größe: 1916 mb
Bewertung: 4.2
Abstimmungen: 379


1Does Your Mother Know3:36
2I Want To Hear It From You2:21
3The Last Time I Saw Her5:11
4Magnificent Outpouring2:18
5Pussywillows, Cat-tails2:49
6Black Day In July4:13
7May I2:17
8Boss Man2:05
9Did She Mention My Name2:26
10The Mountain And Maryann3:35
11Something Very Special3:17
12Wherefor & Why2:54


CategoryArtistTitle (Format)LabelCategoryCountryYear
UAS 6649Gordon Lightfoot Did She Mention My Name ‎(LP, Album, RE)United Artists RecordsUAS 6649US1977
SULP 1199Gordon Lightfoot Did She Mention My Name? ‎(LP, Album, RE)United Artists RecordsSULP 1199UK1969
UAS 6649Gordon Lightfoot Did She Mention My Name ‎(LP, Album, Res)United Artists RecordsUAS 6649US1968
SUAL 932916Gordon Lightfoot Did She Mention My Name ‎(LP, Album)United Artists RecordsSUAL 932916Australia1968
SULP 1199Gordon Lightfoot Did She Mention My Name ‎(LP, Album)United Artists RecordsSULP 1199UK1968


  • BassJohn Stockfish
  • Composed ByGordon Lightfoot
  • Design [Cover]Tim Lewis
  • DrumsHerb Lovelle
  • GuitarHuey McCracken, Red Shea
  • Liner NotesGordon Lightfoot
  • Photography By [Cover]Charles Steiner
  • Photography By [Liner]Dan Kramer
  • ProducerJohn Simon


Produced by John Simon-Groscourt Productions, Inc.

© 1968 United Artists Records, Inc.

Track B1 is listed as "Mountains And Marion" on the label, and as "The Mountain And Maryann" on the back cover.


  • Rights Society: ASCAP
  • Matrix / Runout (Label A): UAS 6649 A
  • Matrix / Runout (Label B): UAS 6649 B
  • Matrix / Runout (Side A etched): A-UAS 6649-A-3A LL
  • Matrix / Runout (Side B etched): A-UAS-6649-B-3A LL


  • Copyright (c) – United Artists Records, Inc.
  • Designed At – Push Pin Studios
  • Record Company – United Artists Records, Inc.
  • Record Company – Transamerica Corporation
  • Published By – W-7 Music Corp.
  • Published By – Witmark



Every '60s singer-songwriter of note expanded their instrumental approach as time went on, and Lightfoot was no exception. For his third album, he worked with John Simon who would handle the Band and Big Brother, and occasionally used low-key orchestration. Though a tad more erratic than his earlier efforts, his songwriting remained remarkably consistent. Did She Mention My Name is Canadian singer Gordon Lightfoot's third studio album, released in 1968 on the United Artists label. The album marked Lightfoot's first use of orchestration. His characteristically bright, uplifting outlook became more diverse as well. All compositions by Gordon Lightfoot. Gordon Lightfoot Did She Mention My Name 1968 - Did She Mention My Name This is a UA product Lyics: It's so nice to meet an old friend and pass the. Узнавайте о релизах, читайте рецензии, изучайте сведения об участниках альбомов песни и прочая информация о Gordon Lightfoot - Did She Mention My Name - на Gordon Lightfoot. Difficulty: intermediate. Em A7 D D7 And when the morning came, do you remember if she dropped a name or two. G C Am Is the home team still on fire, do they still win all the games. D D7 G And by the way, did she mention my name. G C Am Is the landlord still a loser, do the signs hang in the hall. D D7 G Are the young girls still as pretty in the city in the fall. C Am Does the laughter on their faces, still put the sun to shame. C D G Did she mention my name just in passing. Em A7 D D7 And when the talk ran high, did the look in her eyes seem far away. Songs in album Gordon Lightfoot - Did She Mention My Name 1968. Gordon Lightfoot - Wherefore & Why. Gordon Lightfoot - The Last Time I Saw Her. Gordon Lightfoot - Black Day In July. Gordon Lightfoot - May I. Gordon Lightfoot - Magnificent Outpouring. Did She Mention My Name - Mac Wiseman. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей. Gordon Lightfoot : Did She Mention My Name,альбом, рецезия, трек-лист, mp3, тексты песен. Listen free to Gordon Lightfoot Did She Mention My Name Wherefore & Why, The Last Time I Saw Her and more. 12 tracks 37:02. The Last Time I Saw Her, 05:12. Black Day In July, 04:13. Magnificent Outpouring, 02:22. Mountains and Marian, 03:37. I Want to Hear It from You, 02:25. Something Very Special, 03:22. Or listen to the other country dec name stations
It wasn't until "Back Here on Earth"--Gordon Lightfoot's fourth and final album for United Artists--that he began to forge his mature sound, but each of the three preceding albums is interesting in its own right. "Lightfoot!", the first, contains some great individual songs but comes off as a little too aw-shucks folky; "The Way I Feel" is the best of the four UA albums, with consistently strong songwriting and just enough embellishment from the backing musicians. "Did She Mention My Name?", unfortunately, is all over the map. Sometimes it sounds like latter-day Monkees, sometimes it sounds like Muzak with a vocal tacked on as an afterthought; only occasionally does it sound like Lightfoot himself. There are some powerful songs (the title track, 'Black Day in July', 'Boss Man') but too much of the album relies on producer John Simon's cumbersome orchestration, and the tracks steeped most heavily in strings and woodwinds seem to be sketches rather than fully-fledged songs, serving merely as nails on which to hang Simon's baroque arrangements. (Even the lyrics, full of languid references to rain-drenched forests and wood fires a-blazing, appear to have been written with swollen orchestration in mind.) The overall impression is one of decadent bonelessness, a strange departure from Lightfoot's customarily direct, unpretentious approach. Two and a half stars.

(There is one apparently experimental track, 'Something Very Special', in whose favor the heavy string arrangements actually work. Constructed around a single, minimal chord change, the song relates the eerie tale of a long-departed lover as an increasingly uneasy clatter of instruments shifts and swells beneath Lightfoot's voice--suggesting that perhaps there's a ghostly element to the story which the narrator himself only faintly suspects. This one wouldn't have sounded out of place in a film like "Let's Scare Jessica to Death" or an episode of Rod Serling's "Night Gallery".)

Not quite as accessible as earlier Lightfoot albums as the orchestrations seem to smother some of the songs on occasion. Some great tracks though all the same. The title track is a classic as is 'Boss Man' and 'The Last time I saw her'. Watch out for later pressings which often abridge the album.